This work emerges from a curiosity about how we experience space together—and how colour can influence that experience.

The work explores what happens when colour enters an architectural environment not as contrast, but as a companion. Through a series of pyramidal forms, colour becomes an active presence, shifting with light, movement and perspective.

Rather than presenting a singular way of seeing, the work unfolds through the viewer’s movement. As one moves around it, lines converge, colours shift and new relationships between form and space emerge.

The work engages Chromacosm — Asian Paints’ repository of 5,300 shades — to propose colour as a way of moving beyond the white cube. Triangulation becomes both method and metaphor, offering a visual language for thinking beyond binaries.